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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: Anton Chekhov (1860-1904)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
Anton Chekhov (1860-1904)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

Anton Chekhov (1860-1904)

Anton Chekhov (1860-1904) A Doctor's Visit The Lady with the Dog Russian Realism Anton Chekhov was the grandson of a serf who purchased his freedom, whereas Chekhov would end up making enough money to purchase his own estate. Chekhov worked as a physician for most of his adult life, while making a name for himself as a playwright and as a short story writer. Several of his stories, in fact, draw on his experiences as a practicing physician, including "A Doctor's Visit" (1898). Four of Chekhov's plays are classics of the theater: The Seagull (1895), Uncle Vanya (1897), The Three Sisters (1900), and The Cherry Orchard (1903). Chekhov was influenced by Henrik Ibsen's use of Realism on stage, as well as his own experiences with all levels of Russian society. While Ibsen's plays focused on the middle class, Chekhov also looked at the decline of Russian aristocracy alongside the rise of the middle class, usually with neither group shown to advantage. His influence on modern theater is considerable. He proposed the dramatic convention that there should be no extraneous elements in a plot, which is called "Chekhov's gun"—if a gun is hanging on the wall onstage in the first act, it must be fired later in the play, with the same requirement if it is mentioned in a short story. This convention is often found in film, television, and modern short stories. Among Chekhov's short stories, many critics regard "The Lady with the Dog" (1899) as perhaps his best work, as well as a classic in the genre. In the story, Chekhov offers insight into the complexities of romantic relationships, balancing sympathy with realism. What could have been a cliché in another writer's hands becomes a sensitive portrayal of two people who find themselves in an impossible situation of their own making. Consider while reading:
Written by Laura Getty

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