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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: Leo Tolstoy (1828-1910)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
Leo Tolstoy (1828-1910)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

Leo Tolstoy (1828-1910)

Leo Tolstoy (1828-1910) The Death of Ivan Ilyich Russian Realism This Russian writer was born in a privileged class and chose to abandon his privilege for a simple life. Beloved for the radical transformation in his work and in his life, he has become one of the most famous writers in literature. His writing reflects his life, in fact, in its simplicity and realism. As a young man in school, Tolstoy excelled in linguistics, and he master several languages. When he traveled through Europe, therefore, he was able to absorb the political and social climate through conversations with the common people he met. At home in Russia, Tolstoy sympathized with the serfs, who bore the brunt of fierce poverty brought about by war and famine. His experience in the Crimean War led to his great novel War and Peace (1869), a realistic and gruesome account of battle. Another of his great novels, Anna Karenina (1873-77), introduces the audience to the reality of relationship among corrupt human beings. Tolstoy continually treats realism as a means of admonishing others to moral righteousness. In his mid-50's, Tolstoy experienced a religious conversion that led to his abandoning the Russian Orthodox Church in favor of the simple faith and a purer form of Christianity. Instead of living in his estate house, he lived and worked alongside the peasants, worshipping with them instead of observing religious ritual. Of course, he was consequently excommunicated from the Orthodox Church. His change of lifestyle, however, endeared him to a wide audience in both Russia and Europe. He professed a religious system in which human beings are born pure, but are eventually and inevitably corrupted by society. His characters search for happiness in social success, but they only find peace in an objective and realistic acceptance of life. Tolstoy also became interested in educational theory; subsequently, he opened a school in his family manor house for the children of the country peasants who worked the land. He taught a method of inspiration that influenced educators in Europe and America, who modeled Tolstoy's approach to learning in the early stages of public educational. Tolstoy's The Death of Ivan Ilyich (1886) demonstrates the self-centeredness and shallowness of people in high society. Ilyich makes all the right moves to gain wealth and social acceptance: he marries a well-connected woman he does not really love; he neglects his wife and children in favor of his career; and, as a judge, he treats the prisoners in his court with disdain and indifference. When Ilyich must come to terms with the reality of death, he learns that the only comfort he receives is from a servant who represents the naturalness of the common people. Consider while reading:
  1. Describe Ivan Ilyich's wife's reaction to his illness and death.
  2. Describe his associates' reactions to his death.
  3. What is the significance of the black bag?
  4. How does Ilyich finally let go of life and embrace death?
Written by Karen Dodson

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