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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: Robert Browning (1812-1889)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
Robert Browning (1812-1889)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

Robert Browning (1812-1889)

Robert Browning (1812-1889) Selected Poems British Early Realism (Victorianism) Robert Browning was an unknown poet when he fell in love with one of the most famous poets of his time, Elizabeth Barrett. Their relationship was the stuff of love poems; he fell in love with her, although he had never met her, by reading her poetry. At the time, she was an invalid who was kept pretty much a prisoner by her tyrannical father, who had decided never to allow any of his twelve children to marry. After a secret correspondence over twenty months, they eloped to Italy. She recovered enough of her health that she was able to give birth to a son, and they lived in Italy until her death in 1861. It was really only after her death that Robert Browning started to acquire fame as a poet, eventually becoming one of the most respected poets of the Victorian era. Although he wrote poems and plays on a range of topics, some of his most famous poems are his dramatic monologues, often with narrators who have extreme or even psychotic personalities. At first, audiences were startled by the dark humor and occasionally grotesque situations in many of the monologues, unaccustomed to reading about the human psyche in this way. In "My Last Duchess," the Duke addresses a silent representative of a Count whose daughter he wants to marry. The Duke is the epitome of an entitled snob, but his monologue slowly reveals that these qualities led him to become an unrepentant murderer, with a terrifying possessiveness that continues long after his first wife's death. "Porphyria's Lover" contains one of the best twists (the pun will become clear after reading it) in the monologues; it is again a study in psychotic self-absorption, as well as a technical triumph (try reading it without stopping at the end of the lines, but instead by stopping only at punctuation marks). The third monologue presented here is "Childe Roland to the Dark Tower Came," a nightmarish quest with an ambiguous ending. The poem inspired many other writers, including Stephen King, who based his Dark Tower series (1978-2012) on the poem. Consider while reading:
  1. In "My Last Duchess," the Duke is speaking to a representative of a Count, and he is trying to marry the Count's daughter. Imagine the entire monologue from the perspective of the Count's representative. Why does he want to go downstairs before the Duke does?
  2. Look up "porphyria" in a dictionary. How does the meaning of the word affect your reading of the poem?
  3. Where does Childe Roland find the Dark Tower? In what ways can the ending be interpreted?
Written by Laura Getty

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