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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: Mary Wollstonecraft (1759-1797)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
Mary Wollstonecraft (1759-1797)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

Mary Wollstonecraft (1759-1797)

Mary Wollstonecraft (1759-1797) A Vindication of the Rights of Woman British Romanticism More than any other woman in Britain, Mary Wollstonecraft represents the eighteenth-century movement in feminist thought. Wollstonecraft's alcoholic and abusive father failed to provide a consistent living for his family, so her childhood was spent in the turmoil of poverty and violence, and she had to earn a living early in life as a lady's companion, a teacher, a schoolmaster, a translator, and eventually a writer. Wollstonecraft's writing reflects her belief in the education of women as a remedy for inequality. She abhorred the conditions of women of all classes and the limited opportunities afforded them. Socially and politically active, Wollstonecraft became part of a group of radical dissenters who questioned the role of the individual in all phases of human life and espoused revolution as a means of liberty. She spent two years in France during the latter stage of the French Revolution, known as the Reign of Terror, and she recorded her observations in An Historical and Moral View of the Origins and Progress of the French Revolution; and the Effect it Has Produced in Europe (1794). In the treatise, Wollstonecraft expresses her disillusionment with a revolution which, in spite of assurances for total equality, excluded women from the political arena. Wollstonecraft faced a lifetime of personal and relational challenges; she survived as a single mother, only to die during the birth of her second daughter. That daughter, Mary Shelley, went on to create the classic Romantic novel Frankenstein. Foremost in Wollstonecraft's most famous and widely read work, A Vindication of the Rights of Woman (1792) is the call for equal rights for all human beings and equal education for men and women. Like her eighteenth-century predecessors, such as Mary Astell and Elizabeth Carter, Wollstonecraft admonishes her own sex against the frivolity that limits their ability to think rationally and weakens their characters. Her argument focuses on making women better wives and mothers through a combination of dignified treatment and intellectual encouragement. She also champions the right of women to participate in middle class work for financial security. The essay was well received in its initial publication, but its revolutionary ideas were not truly appreciated or realized until over one hundred years later, when the feminist movement revived Wollstonecraft's work and named her as the one of the most influential voices in the fight for women's rights. Consider while reading:
  1. Name some of the causes of what Wollstonecraft calls "women's degradation."
  2. What roles do women play in their own oppression?
Written by Karen Dodson

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