Skip to main content

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: William Wordsworth (1770-1850)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
William Wordsworth (1770-1850)
    • Notifications
    • Privacy
  • Project HomeCompact Anthology of World Literature II
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

William Wordsworth (1770-1850)

William Wordsworth (1770-1850) Preface to Lyrical Ballads Selected Poems British Romanticism As a young man, Wordsworth memorized passages from Edmund Spenser, William Shakespeare, and John Milton. His lyrical poetry, therefore, bears the imprint of the musical quality of the early modern poets who lived before him. From Milton's concept of the sublime, he created work that celebrates the sublimity of the natural world. Wordsworth, who is now considered the premier poet of the Romantic movement, enjoyed most of his acclaim long after his death. During his lifetime, his work was overshadowed by the more immediate popularity of Lords Tennyson and Byron. When the Romantic Movement spread to other parts of Europe and America, however, Wordsworth's connection of nature and the human imagination sparked an immense following. Together with Samuel Taylor Coleridge and Robert Southey, Wordsworth's literary circle became known as the "Lake Poets," named after the Lake District in England. In 1798, Wordsworth and Coleridge published their collaboration, Lyrical Ballads, which was popular and brought them some financial success. The book contained one of Wordsworth's best-known poems, "Tintern Abbey," the study of a natural location with thematic undertones of loss and consolation. The book also contains one of Coleridge's famous poems, "The Rime of the Ancient Mariner." Much to the chagrin of the literary establishment, the innovation of Lyrical Ballads influenced a rising, younger group of poets such as Percy Bysshe Shelley and John Keats. In the Preface to the 1800 edition of Lyrical Ballads, Wordsworth proposes a theory that connects poetry and the workings of the human mind. His intended audience is not the high-brow literary elite, but the common men and women. For example, he addresses those who were caught in the industrial confines of cities due to the loss of common land in the country in his poignant poem "Michael." In the "Preface," Wordsworth writes, "Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility," an example of which he demonstrates in "I Wandered Lonely as a Cloud." Perhaps his most powerful and influential poem, "Ode: Intimations of Immortality from Recollections of Early Childhood," captures the human mind and its connection to the natural world. Consider while reading:
  1. Discuss lines from "I Wandered Lonely as a Cloud" that illustrate Wordsworth's idea of "emotion recollected in tranquility."
  2. Discuss lines from "Michael" that demonstrate the heartbreak of broken family tradition.
  3. Discuss lines from "Immortality Ode" that demonstrate humanity's reliance on nature.
Written by Karen Dodson

Annotate

Next Chapter
Lines Composed a Few Miles above Tintern Abbey
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org