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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: Charles Baudelaire (1821-1867)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
Charles Baudelaire (1821-1867)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

Charles Baudelaire (1821-1867)

Charles Baudelaire (1821-1867) Selected Poems French Realism Like the work of so many transitional authors, Charles Baudelaire's poetry cannot be classified easily. In 1861, Gustave Flaubert wrote a letter to Baudelaire complimenting him on his poetic style: "You have found a way to inject new life into Romanticism. You are unlike anyone else" (Flaubert). Baudelaire is believed to have coined the term "modernity" (modernité), which does not necessarily carry the same connotations as being a modern poet or a product of Modernism, focusing as it does on the urban experience. Nonetheless, Baudelaire was an early inspiration for later Modernist (and Symbolist) poets, even though his poetry is now most often classified as Realism. Baudelaire saw himself as a poet of the urban life in Paris, claiming that beauty can be found in the ugliest images and most depraved situations. His most famous book of poetry, provocatively titled The Flowers of Evil, was published in 1857. Audiences were shocked by Baudelaire's directness in his poems about sex, death, and depression, to name a few of the topics. Baudelaire, his publisher, and his printer were charged with and found guilty of public indecency, and six of the poems were banned from subsequent editions (the ban on the six poems, which discuss lesbians and vampires, was not lifted in France until 1949). Baudelaire's life was provocative as well; he cultivated the image of a "cursed poet" (poéte maudit) with a life of drugs, prostitutes, mistresses, and wasteful spending. He squandered roughly half of his inheritance in the first two years, so his family convinced a judge to remove control of his finances and give him an allowance. Despite the many setbacks in his life, Baudelaire's literary fame grew as time passed. He continued to innovate in his writing, experimenting with prose poetry in his later years. Those poems were published posthumously in Paris Spleen (1869), adding to Baudelaire's influence on Modernist writers. Consider while reading:
  1. Charles Baudelaire has been cited as the source for the family name of the Baudelaire orphans, the heroes in Lemony Snicket's A Series of Unfortunate Events book series. Looking at Baudelaire's life and works, in what ways does he serve as an inspiration for the series? How would Baudelaire's translations of Edgar Allen Poe contribute to that inspiration?
  2. Is Baudelaire's poetry more or less shocking than the explicit song lyrics in contemporary music? Explain.
Written by Laura Getty

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