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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: Percy Bysshe Shelley (1792-1822)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
Percy Bysshe Shelley (1792-1822)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

Percy Bysshe Shelley (1792-1822)

Percy Bysshe Shelley (1792-1822) Selected Poems A Defence of Poetry British Romanticism From an early age, Percy Bysshe Shelley was a controversial figure. He was the first-born male of his family, and therefore he had expectations of a substantial family inheritance. He was expelled from Oxford for publishing a pamphlet entitled The Necessity of Atheism (1811), copies of which he sent to every conservative professor at the college. Shelley and his father parted company upon his refusal to accept Christianity as a means of reinstatement to the college, forcing Shelley to wait for two years to receive his inheritance. Shelley would continue to defy religious hypocrisy and espouse politically radical ideas for the rest of his short life. Shelley's defiance of social traditions extended to his personal life. His first wife, Harriett Westbook, committed suicide when Shelley began an affair with Mary Wollstonecraft Godwin, the daughter of Mary Wollstonecraft and William Godwin. The group of radical intellectuals with which Shelley associated touted free love and lived on the fringe of respectable society. Shelley legally married Mary, but continued to have affairs with many women as the couple made their way across Europe. Mary Shelley would later write the Romantic masterpiece Frankenstein. Shelley's death by drowning in 1822 established him as a tragic figure in the Romantic era. In spite of the few years in which he lived and composed, Shelley leaves behind some of the period's most elegant poetry. He is buried beside John Keats in Italy. A Defence of Poetry In his defense, published in 1821, Shelley relates the poem as "the very image of life expressed in its eternal truth," and poets as "the unacknowledged legislators of the world." He defends poetry against the allegation that it has no value in a world of science and rational thought. Distinguishing between two mental operations, reason as the logical thought process and imagination as the power of perception, Shelley concludes that poetry is necessary for the mind to recognize beauty, and that beauty defines human civilization. Selected Poems Shelley's poetry practically trips from the lips in tremendous similes, alliterations, and phrases. In "Mutability," he presents the changeable and swift flow of life; in "To Wordsworth," a reordering of the Shakespearean sonnet, he laments the way in which Wordsworth has abandoned truth and freedom for comfort and fame; in "Hymn to Intellectual Beauty," he celebrates poetry's purpose in lifting the human mind from the mundane things of the world; in "Ozymandias," he explains the vanity of greatness in the fall of Ramesses II of Egypt; and, in "Song to the Men of England," a radical and revolutionary work, he bemoans the working class's oppression by the aristocracy of England. It is in "Ode to the West Wind," however, that Shelley's brilliance truly shines. He adopts Dante's terza rima rhyme scheme to emphasize the movement of seasons, both of nature and of humankind. The poem ends with his much-quoted question, "If Winter comes, can Spring be far behind?" Consider while reading:
  1. According to Shelley, in what ways does poetry elevate and celebrate the human condition?
  2. Discuss Shelley's alteration of traditional poetry forms. For example, why does the poet change the English sonnet?
  3. Discuss the way in which Shelley invokes the west wind to carry his words across the world.
Written by Karen Dodson

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