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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: W.B. Yeats (1865-1939)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
W.B. Yeats (1865-1939)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

W.B. Yeats (1865-1939)

W.B. Yeats (1865-1939) Selected Poems Irish Victorianism/Realism/Modernism The poetry of William Butler Yeats does not fit easily into any literary movement. He admired the Victorian Pre-Raphaelites, who embraced a combination of realistic techniques and symbolic meanings. Yeats' poetry is full of myths and symbols, and his belief in a type of mysticism or spiritualism underlies much of his work (for Yeats, mysticism and the occult were real, not metaphorical). His earlier poems, such as "The Lake Isle of Innisfree" (1890), could be straight out of Victorianism, but over time, Yeats began to incorporate more realistic elements into his poetry. In "Easter, 1916"—written right after the failed Easter Uprising for Irish independence—Yeats offers a critical (and mostly unflattering) view of the individuals who were executed, but recognizes how their deaths for the cause have transformed them into something greater than themselves (a new mythology). Despite that transformation, the narrator worries about whether it was a worthwhile sacrifice (in fact, by 1922, Yeats would be elected a senator in the new Republic of Ireland). Even though his poetry in later years would contain elements of Modernism, such as in the poem "The Second Coming" (1921), Yeats never abandoned the mystical and symbolic in his poetry, becoming a modern poet who disliked Modernism and refused to give up traditional elements (Albrecht; Longley). In his life, Yeats had the same tendency to be caught between (or among) movements. Although he was an Anglo-Irish Protestant born in Dublin, who was expected to support the English presence in Ireland, Yeats became an Irish Nationalist: partly out of patriotism, and partly because he fell in love with the actress Maud Gonne, a beautiful Nationalist. Yeats proposed to Gonne at least four times, and his (bitter) reaction to her rejection of him can be found in many poems, including some of those written after he married Georgiana Hyde-Lees, with whom he had two children. The poem "When You Are Old" (1895) is an early example of his obsession with Gonne. Besides writing poetry, Yeats was one of the founders of the Irish (now Abbey) Theater, for which he wrote many plays. When he received the Nobel Prize for Literature in 1923, it was mostly for his plays, which the Nobel organization noted in 1969 is doubly ironic: not only are his poems more famous now, but also "Yeats is one of the few writers whose greatest works were written after the award of the Nobel Prize" (Frenz). Consider while reading:
  1. In "The Lake Isle of Innisfree," which elements of the poem are Romantic in nature?
  2. The poem "When You Are Old" is often quoted out of context, focusing on how the narrator "loved the pilgrim soul" of the woman. Considering the bitterness that Yeats felt towards Maud Gonne (the inspiration for the woman), how is the poem less than flattering to her? In what ways does the poem scold her for rejecting him?
  3. In "The Second Coming," who or what is about to be born (there is one obvious answer, but there are at least a few other options)?
Written by Laura Getty

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