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Compact Anthology of World Literature, Part Five: The Long Nineteenth Century: Emily Dickinson (1830-1886)

Compact Anthology of World Literature, Part Five: The Long Nineteenth Century
Emily Dickinson (1830-1886)
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table of contents
  1. Unit 1: Romanticism
  2. Jean-Jacques Rousseau (1712-1778)
    1. Confessions
  3. Johann Wolfgang von Goethe (1749-1832)
    1. Faust
  4. William Blake (1757-1827)
    1. Songs of Innocence: The Lamb
    2. Songs of Innocence: The Chimney Sweeper
    3. Songs of Innocence: Holy Thursday
    4. Songs of Experience: Holy Thursday
    5. Songs of Experience: The Chimney Sweeper
    6. Songs of Experience: The Tyger
    7. London
  5. Mary Wollstonecraft (1759-1797)
    1. from A Vindication of the Rights of Woman
  6. Olympe De Gouges (1748-1793)
    1. The Rights of Woman
  7. William Wordsworth (1770-1850)
    1. Lines Composed a Few Miles above Tintern Abbey
    2. from Preface to Lyrical Ballads
    3. Michael, a Pastoral Poem
    4. I Wandered Lonely as a Cloud
    5. Ode: Intimations of Immortality
  8. Samuel Taylor Coleridge (1772-1834)
    1. The Rime of the Ancient Mariner
    2. Kubla Khan
  9. Percy Bysshe Shelley (1792-1822)
    1. To Wordsworth
    2. Hymn to Intellectual Beauty
    3. Ozymandias
    4. A Song: "Men of England"
    5. Ode to the West Wind
    6. Mutability
    7. from A Defence of Poetry
  10. John Keats (1795-1821)
    1. When I have Fears That I May Cease to Be
    2. Ode to a Nightingale
    3. Ode on a Grecian Urn
  11. Mary Shelley (1797-1851)
    1. Frankenstein, or the Modern Prometheus
    2. Mathilda
    3. The Last Man
  12. Unit 2: Realism
  13. Elizabeth Barrett Browning (1806-1861)
    1. from Sonnets from the Portuguese
    2. The Cry of the Children
    3. Lord Walter's Wife
  14. Alfred, Lord Tennyson (1809-1892)
    1. The Lotos-Eaters
    2. Ulysses
  15. Robert Browning (1812-1889)
    1. Porphyria's Lover
    2. My Last Duchess
    3. "Childe Roland to the Dark Tower Came"
  16. Frederick Douglass (c.1818-1895)
    1. The Narrative of the Life of Frederick Douglass
  17. Walt Whitman (1819-1892)
    1. Song of Myself
    2. Out of the Cradle Endlessly Rocking
    3. Crossing Brooklyn Ferry
    4. O Captain! My Captain!
  18. Gustave Flaubert (1821-1880)
    1. A Simple Soul
  19. Fyodor Dostoyevsky (1821-1881)
    1. Notes from Underground
  20. Charles Baudelaire (1821-1867)
    1. Correspondences
    2. The Corpse
    3. Spleen
    4. Hymn to Beauty
  21. Leo Tolstoy (1828-1910)
    1. The Death of Ivan Ilych
  22. Henrik Ibsen (1828-1906)
    1. A Doll's House
    2. An Enemy of the People
  23. Emily Dickinson (1830-1886)
    1. Because I could not stop for Death
    2. A bird came down the walk
    3. The brain is wider than the sky
    4. Hope is the thing with feathers
    5. I died for beauty, but was scarce
    6. I heard a fly buzz when I died
    7. If I can stop one heart from breaking
    8. My life closed twice before its close
    9. The soul selects her own society
    10. Success is counted sweetest
    11. There's a certain slant of light
    12. Wild nights! Wild nights!
  24. Christina Rossetti (1830-1894)
    1. After Death
    2. Up-Hill
    3. Goblin Market
    4. "No, Thank You, John"
  25. Bankim Chandra Chatterjee (1838-1894)
    1. The Poison Tree
  26. Guy de Maupassant (1850-1893)
    1. Boule de Suif
    2. The Diamond Necklace
  27. Olive Schreiner (1855-1920)
    1. The Story of an African Farm
  28. Charlotte Perkins Gilman (1860-1935)
    1. The Yellow Wall-Paper
  29. Anton Chekhov (1860-1904)
    1. The Lady with the Dog
    2. The Cherry Orchard
    3. A Doctor's Visit
  30. W.B. Yeats (1865-1939)
    1. The Lake Isle of Innisfree
    2. When You Are Old
    3. Easter 1916
    4. The Second Coming
  31. H.G. Wells (1866-1946)
    1. The Invisible Man
    2. The Island of Doctor Moreau
    3. The War of the Worlds

Emily Dickinson (1830-1886)

Emily Dickinson (1830-1886) Selected Poems American Realism Now one of the best-known American poets, Emily Dickinson was not known during her lifetime; ten poems were published anonymously, and the rest were published after her death. Dickinson's poetry resists easy categorization within literary movements. Traditionally Romantic themes such as nature and passion are presented in the startlingly direct—or even blunt—manner of Realism; while not truly Transcendentalist, the poems concern themselves with finding meaning in one's self, rather than in material possessions or earthly concerns; her unconventional use of language, punctuation, and approximate rhyme (or "slant rhyme') rejects traditional styles in the way that later Modernists would embrace. In fact, it was only with the advent of Modernism that Dickinson's poems received the kind of widespread acclaim for their innovation and daring that would mark her as one of the most significant poets of the 19th century. Although she spent most of her adult life in seclusion in her family's home in Amherst, Massachusetts, Dickinson maintained contact with the outside world through her letters, over a thousand of which have survived. After her death, Dickinson's family published the almost 1800 poems that she had written; most of the poems were not titled, and editors have had to choose how to organize the poems. The poems often use common meter as a starting point (a pattern of an eight syllable line followed by a six syllable line, sometimes referred to as hymn meter), but develop other patterns—or lack of pattern—from there. Dickinson's poems often surprise the reader: the poem "A Bird came down the Walk" begins with a Romantic subject—nature—but switches quickly to a slightly gross realism. Poems such as "Because I could not stop for Death" approach serious subjects with unexpected humor. Her unusual approaches to common themes such as love, death, nature, and identity remain engaging to readers to the present day. Consider while reading:
  1. How does Dickinson use humor in her poetry? What is most surprising about the humor, when she uses it?
  2. How does Dickinson portray nature?
  3. Which details in the poems seem to be examples of Romanticism, and which do not?
  4. What kinds of relationships does Dickinson value?
Written by Laura Getty

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