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Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Luigi Pirandello (1867-1936)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Luigi Pirandello (1867-1936)
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table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Luigi Pirandello (1867-1936)

Luigi Pirandello (1867-1936)Six Characters in Search of an AuthorItalianModernismLuigi Pirandello wrote short stories, novels, and poetry, but his plays are what earned him international fame. When the 1934 Nobel Prize for Literature was awarded to Pirandello, the presentation speech noted that "the most remarkable feature of Pirandello's art is his almost magical power to turn psychological analysis into good theatre" (Hallström). Pirandello knew the works of Freud and Jung, and he had a particular interest in the subconscious and its role in shaping a person's identity. One of the most important topics in his plays is identity. Pirandello uses the concept of "naked masks" to explain how we play a variety of roles in life (for example, father, husband, son, employee, student, and so forth), so that no two people see us alike; the naked mask is the human face, which conceals a person's true identity, rather than revealing it. Possibly the best example of this concept is in Six Characters in Search of an Author (1921), mentioned prominently in the Nobel Committee's presentation speech. The play begins with a rehearsal onstage for another one of Pirandello's plays, which is interrupted by the sudden appearance of six fictional characters from an unwritten play (by Pirandello). As the characters try to convince the actors and director to write down their story, they claim to be more real than the actors, since the characters' identities never change, while humans are constantly changing. Audiences were shocked at first by the play's structure and content (including some topics not usually seen on stage at the time), but Pirandello's rejection of the "well-made play" model influenced countless modernist playwrights.Consider while reading:
  1. In what ways could the play be adapted for a modern audience? Which parts would be the easiest to adapt for a contemporary audience ? Would the plot be as shocking?
  2. Look for all of the discussions on identity in the play. How do these ideas apply to your life?
  3. Which films and television shows would be literary "descendants" of the play? Look in particular at the interplay between fiction and reality.
Written by Laura Getty

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