Skip to main content

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Katherine Mansfield (1888-1923)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Katherine Mansfield (1888-1923)
    • Notifications
    • Privacy
  • Project HomeCompact Anthology of World Literature II
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Katherine Mansfield (1888-1923)

Katherine Mansfield (1888-1923)The Garden PartyNew ZealanderModernismBest known for her modernist short stories, Katherine Mansfield was born into a prominent New Zealand family in Wellington in 1888. At 19, she moved to London, where she eventually became part of the Bloomsbury group that included Virginia Woolf and Leonard Woolf; the two later published Mansfield's short stories through their Hogarth Press. Mansfield struggled to balance her ambitions as a writer with a tumultuous love life; she had numerous love affairs with both men and women, and two brief marriages; at the time of her death, she was married to the prominent editor and critic John Middleton Murry, whom she met in 1911 and married in 1918. The last five years of Mansfield's life were dominated by her efforts to find a successful treatment for the tuberculosis that would end her life at the age of 34.Mansfield began writing short stories as a teenager in New Zealand. Her early efforts were marked by a sympathetic presentation of the Maori minority, who were often oppressed by the white colonialists. While she travelled back to New Zealand once as a young adult, most of her adult life was spent in London or travelling on the continent, where she pursued her ambition to write professionally. An accomplished cellist, she acknowledged the influence of music on her writing process. Like other modernist writers, Mansfield is less interested in plot than in the psychology of her characters, who are often frustrated, alienated, and isolated. Depicting the rich inner lives of her characters through interior monologues, she also makes use of free indirect discourse. Also a poet, Mansfield's style is characterized by her use of imagery. In the tightly constructed form of the short story, she is also notable for her frequent use, like Joyce and Woolf, of the epiphany, what Woolf refers to as "a moment of being."Along with "The Daughters of the Late Colonel" and "Miss Brill," "The Garden Party" (1922) is one of Mansfield's best-known short stories. The story is set in Mansfield's home town, Wellington; Laura Sheridan, the protagonist, is preoccupied with all of the details of planning a garden party, including her pleasure in wearing a new hat, when tragedy intervenes in the death of a local tradesman. Even as she considers the poverty in which the carter's wife and family will be left, Sheridan cannot bring herself to cancel the party. Her epiphany at the story's end suggests that she will someday grow more critical of the middle class colonial values that she and her family embody.Consider while reading:
  1. How does Mansfield characterize Laura?
  2. How would you describe the relationship between Laura and her mother?
  3. How is death portrayed in the story?
  4. What does Mansfield seem to be suggesting about class distinctions during this period?
Written by Anita Turlington

Annotate

Next Chapter
The Garden Party
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org