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Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Wilfred Owen (1893-1918)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Wilfred Owen (1893-1918)
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table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Wilfred Owen (1893-1918)

Wilfred Owen (1893-1918)Selected PoemsBritishModernismWilfred Edward Salter Owen is one of the most respected poets of World War I, which is an impressive feat for someone who wrote almost all of his poems between August 1917 and September 1918. Many previous British poets had focused on the glory of war. Owen's experiences in the trenches, however, shaped his much grimmer view of war. Along with his friend and fellow British poet Siegfried Sassoon, Owen wrote about the realities of war in a way that was unfamiliar to audiences of the time. The title of his poem "Dulce et Decorum est" is a reference to a quotation by the Latin writer Horace: "Dulce et decorum est pro patria mori" (roughly translated, "It is sweet and proper to die for your country"). In the poem, Owen challenges that view with a description of a poisonous gas attack on soldiers in the trenches. In "Anthem for Doomed Youth," Owen replaces heroic songs and music with the terrifying sounds of battle, and he explores the dread of waiting for something to happen in the poem "Exposure." In "A Parable of the Old Men and the Young," Owen rewrites the ending of the Bible story of Abraham and Isaac, implicitly questioning the motives of the older men who send young men to their deaths. Owen's poetry is remarkable not only for its content, but also for its use of half rhyme and assonance instead of full rhyme: a style that he is credited with popularizing. His rejection of traditional poetic form and reaction to the horrors of World War I are textbook examples of Modernism in poetry. Despite both his feelings about the war and being wounded badly enough that he was sent home for recovery, Owen insisted that it was his duty to return to the fighting, in part to continue to record the experiences of the common soldier. One week before the signing of the Armistice that ended the war, Owen was killed on the battlefield.Consider while reading:
  1. Compare Owen's poetry to Alfred, Lord Tennyson's "The Charge of the Light Brigade" and Rupert Brooks' "The Soldier." How does each poet write about war?
  2. Compare Owen's poems to the works of his friend Siegfried Sassoon. Are there differences in their approaches to describing the war?
Written by Laura Getty

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