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Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: William Faulkner (1897-1962)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
William Faulkner (1897-1962)
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table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

William Faulkner (1897-1962)

William Faulkner (1897-1962)Selected StoriesAmericanModernismConsidered by many scholars to be the most distinguished writer of the 20th century, Faulkner was born in Oxford, Mississippi in 1897. He is mostly known for his novels and short stories, set in the fictional Yoknapatawpha County in Mississippi. Both his novels and short stories confront the complexities of Southern culture, shaped by its heritage of slavery, the loss of the American Civil War, and continued struggles with racism through Jim Crow laws and the atrocities committed by the Ku Klux Klan. He is also keenly aware of the close ties of Southerners to the land and the ways that the old agrarian values continued to shape ideas about class in the South well into the 20th century. Faulkner draws on family histories as well as aspects of Southern gothic ghost stories in his novels, and most of his works explore the complex and troubled mix of race and sexuality in the South.Most of his works were published in the 1920s and 30s, among which "A Rose for Emily" (1930) and "Barn Burning" (1939) are included here, but he was primarily known in America as a Southern writer until he won the Nobel Prize for Literature in 1942. His Nobel Prize acceptance speech is often reprinted for his optimistic declaration of the importance of art. After decrying the anxiety and pessimism that he felt characterized the literature of the period, Faulkner declared that humanity would prevail because of the strength of the human spirit: "The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by . . . reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail."Consider while reading:
  1. In "A Rose for Emily," the story of Emily's life and death is told through the voice of the townspeople. How does this technique affect the story and what we know and don't know about Emily? How does it affect the timeline of the story, which is not told in chronological order?
  2. What elements in the story can be considered "gothic"?
  3. What is the significance of the "rose" in the title of the story? What connotations of the word are meaningful in the context of Emily's life?
  4. In "Barn Burning," why is burning a barn such a serious crime?
  5. How would you characterize Abner? Sarty? What is the primary problem between the two of them?
  6. Why does Sarty ultimately betray his father at the end of the story?
Written by Anita Turlington

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