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Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Ryūnosuke Akutagawa (1892-1927)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Ryūnosuke Akutagawa (1892-1927)
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table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Ryūnosuke Akutagawa (1892-1927)

Ryūnosuke Akutagawa (1892-1927)Selected StoriesJapaneseModernismRyūnosuke Akutagawa (surname: Akutagawa), the so-called "father of the Japanese short story," wrote a series of stories derived from Japan's past (largely, 12th- and 13th-century Japanese tales) but inflected with a modern psychological perspective. He studied English literature at Tokyo Imperial University, which is now the University of Tokyo. His writing draws from diverse sources, such as Chinese, Japanese, and European materials and culture. As a writer, he received encouragement from Natsume Sōseki, a renowned Japanese novelist of his time. Many of his powerful stories, which often have chilling themes, have been turned into films. His short stories, "Rashomon" (1915) and "In a Grove" (1922), for example, were adapted into the single film Rashomon (1950), directed by Akira Kurosawa. Kurosawa's film reflects the dismal worldview of the servant in the story "Rashomon" and also incorporates the general setting of the same short story—the decline of the Heian era (794-1185). (The Rashomon—"mon" meaning "gate"—refers to the southern entry gate to the city of Kyoto during the Heian era.) On the other hand, "In a Grove," also a story set in the late Heian period, narrates the murder of a samurai named Takehiro from multiple characters' perspectives in a modernist style. "In a Grove" is the short story that fuels the main narrative of Kurosawa's film. Although Akutagawa had a brief life (suicide at age thirty five), his many stories are influential around the world.Consider while reading:
  1. In "In a Grove," which characters claim to have killed the dead man (Takehiro)? If you were to pick one character, who do you think actually killed Takehiro, or do you think it was a suicide? Pick the most likely person to have killed Takehiro and provide supporting ideas from the text. At the same time, consider the reasons why your view might be doubted.
  2. Do any of these testimonies and confessions seem to go along with, or go against, any stereotypes or biases related to gender or social status? Explain.
  3. What do these contradictory testimonies and confessions say about the nature of truth, memory, and/or morality?
  4. In "Rashomon," what specific details (especially of the setting) are used to describe the declining of Kyoto or the city in ruins?
  5. What is the old woman's justification for pulling out hair from the corpse?
  6. How do the male servant's attitudes and feelings towards the old woman change over time?
  7. What is the male servant's main inner conflict? What decision does the servant make, and why? Why might the servant's decision be significant in the context of the whole story?
Written by Kyounghye Kwon

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