Skip to main content

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Anna Akhmatova (1889-1996)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Anna Akhmatova (1889-1996)
    • Notifications
    • Privacy
  • Project HomeCompact Anthology of World Literature II
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Anna Akhmatova (1889-1996)

Anna Akhmatova (1889-1996)Selected PoemsRussianModernismAnna Akhmatova was born on June 11, 1889 in Bolshoi Fontan, near the Black Sea, to an upper-class family; she was the third of six children. Both of her parents came from wealthy land-owning families. Over the course of her life, Akhmatova struggled with government oppression. After the Bolshevik revolution in 1917, she made the decision to remain in Russia, over the objections of many friends who fled to Europe or the U.S. Her first husband, Gumilev, was executed by Lenin; her second husband died in the Gulag, and her son Lev was frequently imprisoned. Akhmatova's poems were generally, under Lenin, suppressed.Anna Akhmatova is regarded as one of the greatest Russian poets. As a young poet, she helped form a group that would come to be called the "Acmeists," which arose in Russia in opposition to the Symbolist movement. While symbolists relied on the extensive use of metaphor and mysticism, the Acmeists focused instead on the material world, portraying human emotions, and careful crafting of their poems.Because Akhmatova remained in Russia during the regimes of Lenin and Stalin, she was very popular with the Russian people. Her poems Requiem (1935–1940) and Poem Without a Hero (1965) are reactions to the Stalinist repression. Akhmatova also translated the works of Victor Hugo, Rabindranath Tagore, Giacomo Leopardi, and various Armenian and Korean poets. Additionally, she wrote memoirs of Symbolist writer Aleksandr Blok, the artist Amedeo Modigliani, and fellow Acmeist Osip Mandelstam. In 1964, she was awarded the Etna-Taormina prize and an honorary doctorate from Oxford University in 1965. Akhmatova died in Leningrad in 1966.Requiem is generally considered to be Akhmatova's masterpiece. She took it with her wherever she moved and worked on it for years. Requiem depicts the suffering of the Russian people under the oppressive Soviet regimes, examining a range of emotions depicted in a cycle of 10 short poems that together make up a singular long work.Like "Requiem," the poem "Lot's Wife" (1922-1924) depicts suffering on the part of someone who is forced to leave her home but turns one last time to witness its destruction. It is based on the Biblical story in Genesis 19, which you may wish to review before reading the poem. "Why is this Age Worse?" (1919) suggests that Russia has a long and violent history; even so, the oppression that the people were experiencing at the time was still extraordinary.Consider while reading:
  1. In "Lot's Wife," how does Akhmatova use Christian imagery to depict the suffering of the Russian people?
  2. What emotions does Akhmatova evoke in her poetic cycle Requiem?
  3. How would you characterize Akhmatova's poetic style?
Written by Anita Turlington

Annotate

Next Chapter
Lot's Wife
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org