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Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Unit 2: Postcolonial Literature

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Unit 2: Postcolonial Literature
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table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Unit 2: Postcolonial Literature

Unit 2: Postcolonial LiteratureThe post-World War II era and postcolonialism largely overlap. World War II (1939-1945) created a particular zeitgeist (or a defining spirit of the time), which consequently shaped the literary works published immediately after the war. Polish catholic writer Tadeusz Borowski's short story "This Way for the Gas, Ladies and Gentlemen" (1946) is an example of post-World War II literature, which reflects the author's experience of having observed, and having been complicit with, the brutal workings of the Holocaust. The first-person narrator's sense of nausea and being stuck in the short story echoes the major sentiments of post-World War II literature.The post-World War II era also coincides with the post-independence period. After World War II and during the second half of the twentieth century, many formerly colonized places began to gain independence. In this historical milieu, postcolonialism as an academic field developed in the late 1970s—markedly with the 1978 publication of Edward Said's seminal book Orientalism, in which Said examines how euro-centric cultural representations of the "Orient" reveal the West's biases, stereotypes, and/or fantasies about the "Orient." Postcolonialism reached further sophistication by notable postcolonial scholars such as Homi Bhabha and Gayatri Spivak. Unlike the term "post-independence," which focuses on the temporal and periodizing meaning of "post" as "after," the term "postcolonial" has now become more of a theoretical concept, concerning the study of the varied processes and effects of colonialism from the perspectives of the (formerly) colonized; in this sense, postcolonialism could apply to cultures before, during, and after the workings of colonialism. Nigerian novelist Chinua Achebe's Things Fall Apart (1958) is one of the best-known works of postcolonial literature. Beyond the scope of the works produced from the newly decolonized countries of Africa, Asia, and the Caribbean, postcolonialism—as it concerns colonial histories and the voices of the oppressed people—is also associated with Indigenous peoples' experiences around the globe. Some of Joy Harjo's poems in this volume concern colonial history and Native Americans' experiences.The post-independence era and postcolonialism come with other related concepts and new global realties, such as cultural hybridity, immigration, diaspora, and globalization. Postcolonial literature is also often noted for demonstrating cultural hybridity in its style and theme and/or engaging with the dilemma of conflicting cultures. Achebe's works, for example, engage dilemmas that emerge at the crossroads of different cultures.Written by Kyounghye Kwon

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