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Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Violetta Thurstan (1879-1978)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Violetta Thurstan (1879-1978)
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table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Violetta Thurstan (1879-1978)

Violetta Thurstan (1879-1978)Field Hospital and Flying ColumnBritishModernismVioletta Thurstan, born Anna Violet Thurstan, was an English nurse and activist who nursed wounded soldiers in World War I field hospitals in Belgium and Poland. She described her experiences in her first book, Field Hospital and Flying Column (1915). She also nursed on the Eastern Front of the war in Russia, Serbia, and Macedonia. After the war, Thurstan gave lectures on her experiences to advocate for state registration of nurses. She also served as the secretary for the National Union of Trained Nurses and was later an administrator for the Women's Royal Air Force. During World War II, Thurstan deployed her language skills to work in British Intelligence. After the war, she worked to secure the release of prisoners of war and resettling refugees. Later in life, Thurstan became interested in weaving; she served as an international textile arts advisor, working within the United Kingdom and as far away as Libya. She continued to write throughout her life and published a nursing textbook, an additional memoir, and two novels. Thurstan never married and died in Sussex at the age of 99. Though her memoir does not employ Modernist techniques, it is nevertheless an important document of the time for its reflection of the changing role of women as a consequence of their involvement in World War I.Published during World War I, Thurstan's first book is a lively and vivid account of her experiences as a nurse and supervisor of a team of nurses caring for the wounded behind the lines in Belgium and Poland. The book is one of a few memoirs written by women who worked close to the action, as nurses or ambulance drivers, who witnessed the terrible toll of the war.Consider while reading:
  1. How would you characterize Thurstan's voice? What is her attitude toward her challenges, the war, her fellow nurses, and her patients?
  2. What do you notice in Thurstan's memoir about the way British and European citizens viewed the concept of war in 1915?
  3. How does Thurstan encapsulate this particular time and place for you? What scene or scenes do you find particularly memorable?
Written by Anita Turlington

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