Skip to main content

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature: Rabindranath Tagore (1861-1941)

Compact Anthology of World Literature, Part Six: The 20th Century and Contemporary Literature
Rabindranath Tagore (1861-1941)
    • Notifications
    • Privacy
  • Project HomeCompact Anthology of World Literature II
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Unit 1: Modernism (1900-1945)
  2. Rabindranath Tagore (1861-1941)
    1. The Cabuliwallah
  3. Luigi Pirandello (1867-1936)
    1. Six Characters in Search of an Author
  4. Marcel Proust (1871-1922)
    1. Swann's Way
  5. Violetta Thurstan (1879-1978)
    1. Field Hospital and Flying Column
  6. Lu Xun (1881-1936)
    1. Diary of a Madman
  7. Virginia Woolf (1882-1941)
    1. A Room of One's Own
  8. James Joyce (1882-1941)
    1. The Dead
  9. Franz Kafka (1883-1924)
    1. The Metamorphosis
  10. Katherine Mansfield (1888-1923)
    1. The Garden Party
  11. T.S. Eliot (1888-1965)
    1. The Love Song of J. Alfred Prufrock
    2. Tradition and the Individual Talent
    3. The Waste Land
  12. Anna Akhmatova (1889-1996)
    1. Lot's Wife
    2. Requiem
    3. Why Is This Century Worse...
  13. Ryūnosuke Akutagawa (1892-1927)
    1. In a Grove
    2. Rashomon
  14. Wilfred Owen (1893-1918)
    1. Preface
    2. Strange Meeting
    3. Anthem for Doomed Youth
    4. Dulce et Decorum est
    5. Exposure
    6. Futility
    7. Parable of the Old Men and the Young
  15. William Faulkner (1897-1962)
    1. Barn Burning
    2. A Rose for Emily
  16. Bertolt Brecht (1898-1956)
    1. Mother Courage and Her Children
  17. Jorge Luis Borges (1899-1986)
    1. The Garden of Forking Paths
  18. Langston Hughes (1902-1967)
    1. Harlem
    2. The Negro Speaks of Rivers
    3. Theme for English B
    4. The Weary Blues
  19. Yi Sang (1910-1937)
    1. Phantom Illusion
  20. Unit 2: Postcolonial Literature
  21. Sarojini Naidu (1879-1949)
    1. The Golden Threshold
  22. Aimé Fernand David Césaire (1913-2008)
    1. from Notebook of a Return to the Native Land
    2. The Woman and the Flame
  23. Chinua Achebe (1930-2013)
    1. Things Fall Apart
  24. Cho Se-hui (1942- )
    1. Knifeblade
    2. A Little Ball Launched by a Dwarf
    3. The Möbius Strip
  25. Joy Harjo (1951- )
    1. Eagle Poem
    2. An American Sunrise
    3. My House Is the Red Earth
    4. A Poem to Get Rid of Fear
    5. When the World as We Knew It Ended
  26. Unit 3: Contemporary Literature (1955-present)
  27. Naguib Mahfouz (1911-2006)
    1. from Midaq Alley
  28. Yehuda Amichai (1924-2000)
    1. An Arab Shepherd is Searching for His Goat on Mt. Zion
    2. Jerusalem
  29. Gabriel García Márquez (1927-2014)
    1. A Very Old Man with Enormous Wings
  30. Derek Walcott (1930-2017)
    1. The Bounty
    2. from Omeros
  31. Seamus Heaney (1939-2013)
    1. The Haw Lantern
    2. The Tollund Man
  32. Mahmoud Darwish (1941-2008)
    1. Identity Card
    2. Victim Number 18
  33. Hanan al-Shaykh (1945- )
    1. The Women's Swimming Pool
  34. Salman Rushdie (1947- )
    1. The Perforated Sheet
  35. Leslie Marmon Silko (1948- )
    1. Yellow Woman
  36. Haruki Murakami (1949- )
    1. The Second Bakery Attack
  37. Jamaica Kincaid (1949- )
    1. Girl
  38. Francisco X. Alarcón (1954-2016)
    1. "Mexican" Is Not a Noun
    2. Prayer
    3. To Those Who Have Lost Everything
  39. Yasmina Reza (1959- )
    1. God of Carnage

Rabindranath Tagore (1861-1941)

Rabindranath Tagore (1861-1941)CabuliwallahIndianModernismRabindranath Tagore was outspoken on the differences between Modernism in India and in Europe. During lectures that he gave in Japan from 1916-1917, Tagore argued that India's lack of modernization did not mean that they were not participants in Modernism, which he defined as a "freedom of mind" from one's own traditions, rather than participating in the cultural trends of Europe. Tagore was born into an influential family in the Bengal region of India, during the Bengal Renaissance (a particularly creative time period for art and literature, along with social reforms and scientific advances). Tagore's father and several siblings were famous for their contributions in many areas, including literature, music, and philosophy; one of his sisters, Swarnakumari Devi, was a novelist, editor, and social reformer in a time period when women rarely attended school. Tagore surpassed them all. He wrote poetry, short stories, plays, essays, and songs.Both India and Bangladesh chose songs of his for their national anthems. He originally wrote his literary works in Bengali, later translating them into English himself, or personally overseeing their translation. In 1913, he became the first non-Western writer to receive the Nobel Prize for Literature. Tagore's keen awareness of cultural (and linguistic) differences in society informs the short story Cabuliwallah (1892). The narrator, a progressive-minded Hindu in Calcutta, observes the friendship between his (adopted) daughter Mini and a Muslim fruit-seller from Kabul, who misses his own daughter. The story delicately balances a range of issues, including socio-economic status, religion, prejudice, the tension between traditional and modern views of life, and even the five-year-old Mini's lack of experience with language. In the end, however, these elements come together to support the main issue: the definition of what a "real" family is.Consider while reading:
  1. Using Tagore's definition of Modernism, how is this story an example of that literary movement?
  2. Choose a short story that is an example of European Modernism and compare it to the Cabuliwallah. What do they have in common, and what appears to be different?
Written by Laura Getty

Annotate

Next Chapter
The Cabuliwallah
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org